“Les Misérables” hardly needs an introduction, but for those who have never had the opportunity to witness the masterful musical, it’s an epic tale of crushing bitterness, hope, dreams, vices, dogma and self sacrifice. Interspersed with the comedic musings of Thénardier, played by Matt Crowle, and his gang, the production develops into a tale about the truth of righteousness and the redemption of one’s soul.
It is a raucous performance that will have you on the edge of your seat. Attendee Ruth Raish looked forward to seeing the show after watching the movie version many times.
“I’m excited to see the live raw talent,” Raish said. “If you watch a movie, it’s like, ‘well, they’re movie stars and they do that all the time.’”
Following Jean Valjean, played by Nick Cartel, we learn of the tragic life that befalls a petty criminal of France in the year 1813. The Bishop of Digne is the only one who shows him kindness and convinces Valjean to change his ways.
What starts as a road of redemption for Valjean becomes much more complicated. His past and the dogmatic constable Javert, played by Nick Rehberger, haunt him. He becomes the father to an orphan, Cosette, upon a death bed promise to her mother. He even fights in a bloody revolution known as the barricade massacre and lives to tell the tale.
Marie Valade is another attendee who last saw the show in theaters 25 years ago. She came to the show with her husband.
“It’s just some of our favorite music,” Valade said. Her favorite character is the comedic relief, Thénardier. His key song “Master of the House” is an unforgettable performance and provides levity to the intensity of the show.
Valjean and those around him endured hardships and questioned the cruelty of the world around them. The dreams of Fantine, played by Lindsay Heather Pearce, were expressed in her heart wrenching solo. And the cries of the students pierced through the theater; they wished for the people to hear them and rally under the red flag, the symbol of the blood of martyrs.
Sarah Collins also attended the show for the first time, despite knowing every song by heart. “I’m pretty excited to see ‘On my Own’ by Éponine,” Collins said.
Played by Mya Rena Hunter, Éponine’s solo “On my Own” was a theater shaking performance. With so many more memorable moments from the production, it’s hard to pick a favorite.
Matt Kinley’s set design envelops you into the scene and demands your attention at all times. Each scene felt elaborate in ways that allow your imagination to wander, while still trying to keep you in each moment.
The sound designer, Mick Potter, will make your heart jump during the battle scenes and the almost too real gunshots will make the death of each character rattle hard in your chest.
It is an unforgettable experience. If you get the chance, come see Les Misérables.
Find ticket info for this show, along with all other productions this season, at broadwayintucson.com.
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